Over the years, The Nashville Numbering System has become the de-facto means for session musicians to communicate efficiently and effectively about the harmonic structure of tunes they might be hearing for the first time as they enter the studio. Charlie McCoy further enhanced and developed it. But in the late 1950’s Neil Matthews developed and formalized this concept into a simplified system of communicating chord changes for the Jordanaires to use in the studio. Since the middle ages, musicians have substituted Roman numerals for chord letters. The Nashville Number System is an informal method of transcribing music by denoting the scale degree upon which a chord is built.
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